[AP] Copy Culture

Copy Culture

leido en RHIZOME.org

Open source is a term we most often hear applied to software and intellectual property in the digital realm. The Danish artists SUPERFLEX (Rasmus Nielsen, Jakob Fenger and Bjørnstjerne Christiansen) take open source philosophies and tactics offline and apply them to real world situations. Their work challenges corporate market practice through large-scale DIY projects such as television stations and fuel production plans. One of the most compelling examples of their use of homebrew 'programming' is the project GUARANA POWER. Guarana is a caffeine rich berry farmed in South America, often a major ingredient in soft drinks. A large food and beverage conglomerate sought to monopolize the market in Brazil, and with the help of SUPERFLEX and the Power Foundation, one farmer's co-op stood in direct opposition by bottling their own locally grown and produced soft drink under the label GUARANA POWER. By making their recipe and process freely available, these farmers usurped the proprietary practices of a major corporation. Like their open source applications, another digital convention that SUPERFLEX employs for non-digital purposes is the practice of versioning. The FREE BEER project is an open source recipe for beer (which includes guarana), that can be and has been adapted and improved upon. FREE BEER 3.3 is available as part of their latest exhibition COPYSHOP, recently opened at the Knoxville Gallery of Art. Part exhibition, part workshop, and part, for lack of a better word, copy shop, COPYSHOP acknowledges the importance of open culture, and has made available FREE BEER, Star and Buck Coffee, Black Spot sneakers and other homebrewed alternatives to corporate products. Mindful of the increasingly globalized power structures they live in, SUPERFLEX are not anti-capitalist, but use tools of capitalism to actualize new and progressive ways of thinking about consumer culture.


------------------------------------------------------------------------
Superflex is burning the Danish flag at international Art fair
At Art Basel in Switzerland Superflex is presenting a new work "Rebranding Denmark". The Work is a LED-display sign in movement - changing as the flames are burning the Danish flag. The work is shown with Gallery Nils Staerk Contemporary Art at the Fair (The gallery is situated at hall 2.1, number X6)

For press images:
ftp://superchannel.org/images/press/rebranding_denmark/

Work info:
Title: Rebranding Denmark
Material: LED/display sign
Dimensions: 115 x 153 cm
Read more
------------------------------------------------------------------------

link
the art gallery of knoxville
http://www.theartgalleryofknoxville.com/

RHIZOME
http://rhizome.org

superflex
www.superflex.net

Jose Llano
Arquitecto, Diseñador de Delitos & Coreografo del Deseo
editor aparienciapublica
www.aparienciapublica.org
http://aparienciapublica.blogspot.com

________________________________
AMERICA has a rest, where you want to be

[AP] a-D10s Karlheinz Stockhausen (1928-2007)

a-D10s Karlheinz Stockhausen

Cuando por primera vez escuche musica fue cuando en la radio del auto, tocaban una pieza de El canto de los adolescentes 1953, una especie de "musica electronica" y nuevas logicas composicionales y tonales", mi impresion fue increible como hace tanto tiempo pudo construir la fragmentacion y las relaciones parciales de nuestra realidad hoy en un acto que desprendia passion, aniquilamiento, y gloria solo al escuchar una pieza musical. He sabido de la muerte de este compositor y tengo la sensacion de vacio, al no tener de nuevo esa misma melodia, sin embargo y por eso que una vez que lo comprendemos queda para siempre, la nocion o el acto de repeticion no significa universalidad sino una singularidad potencialmente expresada ala n-potencia, como diria Deleuze, su musica esta ahi a nuestras manos y oidos eso que el cuerpo siente cuando esta agotado, y requiere de una silente experiencia.

extraido de Rhizome

This past week brought news of tragic losses in the world of music. December 4th saw the still unexplained death of southern hip-hip pioneer and rapper Pimp C of UGK while December 5th marked the death of pioneering electronic musician and composer Karlheinz Stockhausen, due to heart failure. The latter's influence on all forms of electronic music and sound art is immeasurable. By pushing the limits of harmonic forms, duration, timbre, and athematic compisition, he transformed the sonic landscape well beyond composition. The German composer was born in 1928 near Cologne and by his late twenties he had already begun his trajectory from experimental composition to musique concrete and electronic tape music. His creativity and sonic innovation were championed in post-war Germany and his students included Cornelius Cardew, Holger Czukay, and La Monte Young, to name but a few. His influence continues to resonate, and artists as diverse as Kraftwerk, CAN, and Miles Davis cite him as touchstones. While his passing is tragic, like the late John Cage, he opened up a world of sonic possibility.
posted David Michael Perez

link
rhizome
www.rhizome.org

Jose Llano
Arquitecto, Diseñador de Delitos & Coreografo del Deseo
editor aparienciapublica
www.aparienciapublica.org
http://aparienciapublica.blogspot.com

________________________________
AMERICA has a rest, where you want to be